Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Albani Francesco
Diana and Actaeon

ID: 77325

Albani  Francesco Diana and Actaeon
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Albani  Francesco Diana and Actaeon


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Albani Francesco

Italian, 1578-1660 Italian painter and draughtsman. He was a distinguished artist of the Bolognese school, deeply influenced by Annibale Carracci's classicism, who worked in Rome as well as Bologna, painting altarpieces, frescoes and and cabinet pictures. His fame rests on his idyllic landscapes and small mythological pictures,   Related Paintings of Albani Francesco :. | Holy Family | ALBANI | The Cupids Disarmed | Toilet of Venus | The Rape of Europa |
Related Artists:
Lethiere, Guillaume Guillon
French Painter, 1760-1832
Carlo Francesco Nuvolone
Italian Baroque Era Painter, 1609-1662 was an Italian painter of the Baroque period, active mainly in Lombardy. He was born in Milan to an Cremonese father and mannerist painter, Panfilo Nuvolone. After working with his father, he studied under Giovanni Battista Crespi (il Cerano) in the Accademia Ambrosiana in Milan. In that studio he would have encountered Daniele Crespi and Giulio Cesare Procaccini. Of particular interest is his depiction of himself as a painter surrounded by his family of artists
lyonel feininger
Painter, printmaker and illustrator. Although he was sent to Germany as a teenager to study music, a drawing class at the Kunstgewerbeschule in Hamburg instead sparked an interest in art, which led to further training at the Akademie der K-nste in Berlin and in 1892-3 at the Acad?mie Colarossi in Paris. Returning to Berlin, he was a prominent illustrator by the mid-1890s for Ulk, Lustige Bl?tter and other leading German satirical magazines. His work also appeared in the USA, first for Harper's Round Table in 1894 and 1895 and in 1906-7 in the comic strips 'The Kin-der-Kids' and 'Wee Willie Winkie's World' for the Chicago Sunday Tribune, by which time he was again in Paris. There he was also in contact with Wilhelm Uhde, Jules Pascin and other members of the circle that met at the Caf- du D?me and produced a series of drawings for Le T-moin. While often alluding to serious contemporary issues, the style of his illustrations and drawings was fanciful rather than grotesque.






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